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A graphic on a pale blue background. Top text reads Ourselves in Our Stories a Duck Prints Press Panel Saturday May 23 9 p.m. Eastern. In the middle is clipart of a person shown from behind, wearing a skirt, high-heeled boots, and long hair. They face a mirror, which shows them in a simple outline from the front as they adjust their hair. Bottom text reads join patreon.com/duckprintspress for exclusive access.

This Saturday, May 23rd, backers of our Patreon at the $7/month and higher level can join authors D. A. Hernández, Dei Walker, Alex Bauer, MJ Kiwiana, and Vee Sloane for a conversation about “Ourselves in Our Stories.”

Most people are familiar with the standard “write what you know” writing advice. I suspect most are also familiar with the follow-up complaint (or variations thereof), that this is why we have a bajillion stories about white cis het male professors suffering from existential ennui. However, there is a place for a less literal take on “write what you know,” and that is the space we aim to explore with this panel. How do we, ourselves, appear in our writing? How does what we know, and don’t know, impact the writing choices we make? In what ways do our life experiences shape our characters and the stories we wish to tell? How literally or abstractly do we aim to integrate ourselves into our work? And, conversely, what steps do we take to make sure that certain aspects of ourselves do not end up in our stories? These and related questions will be those we approach in this panel, which is sure to be a very personal and informative one!

Time: Saturday, May 23rd at 9 p.m. (time zone converter)

If you’re already a backer, I hope you’ll join us, and if not, now’s a great time to become one and get access to this panel, recordings of past panels, and much more!


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A graphic on a pale blue background. Top text reads Writing Fanfiction, Writing Original Fiction: Similarities and Differences - a Duck Prints Press panel. Saturday, April 11 8 a.m. Eastern time. In the center are clipart of a tablet with an image vaguely reminiscent of AO3's interface, and a book. Bottom text reads join patreon.com/duckprintspress for exclusive access.

This Saturday at 8 a.m. we’ll be hosting our Patreon panel for April 2026: Writing Fanfiction, Writing Original Fiction: Similarities and Differences. We’ll be joined by a group of authors mostly located outside the US – Neo Scarlett, J. D. Rivers, Vee Sloane, Dei Walker, and MJ Kiwiana – to compare and contrast our experiences in writing fanfiction and original fiction!

Description: Views on how similar writing fanfiction is to writing original fiction vary widely, and form a spectrum ranging from peoplew who feel that writing fanfic and writing ofic are completely different exercises to whose who believe that writing each is identical. As with most continua, the reality of similarities and differences is more nuanced in the majority of cases, with how they are alike and how they differ depending on the writer, the style, the genre, and other variables. In this panel, we’ll look at these intersections to discuss where we fall personally in our views, how we find writing fanfic and ofic to be similar, how we find it to be different, what skills we’ve found portable across the two, and which we haven’t.

If you’re already a backer at the $7/month level, I hope you’ll join us, and if not – back our Patreon at the $7/month level or higher and join us LIVE for this panel to chat and ask your questions. Better yet, you’ll also get access to the recordings of the 19 (!!!) previous panels we’ve held!



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A graphic on a pale blue background. Top text reads Approaches to Creating Collaboratively. a Duck Prints Press Panel. Sunday, March 29 at 4 p.m. ET. In the middle, there's clip art of three people sitting around a table, apparently engaged in conversation, with a lightbulb above them. Bottom text reads: join patreon.com/duckprintspress for exclusive access.

Our March creator panel, available to all our Patrons at the $7/month, $10/month, and $25/month levels, is coming up this Sunday, March 29th, at 4 p.m. Eastern time (converter)! Join Sebastian Marie, Puck Malamud, Rhosyn Goodfellow, Lucy K. R., and D. A. Hernández as we have a chat about collaborative creation: types that exist, methods we’ve used, great collaborations we’ve had, and what elements go into brewing the perfect group work of fiction!

Title: Approaches to Creating Collaboratively

Description: When we imagine writers, we often picture an individual toiling in solitude, leaning over a notebook and writing rapidly or with keys clattering away on a keyboard. However, this image neglects to consider the many ways there are for writers to collaborate with each other, and with artists, musicians, and other creators. Some writing activities, such as screenwriting, are routinely done by groups. There are many ways to collaborate on fiction writing, too – such as co-authors working together on a book or short story authors coming together on an anthology – and even more so when doing fanwriting. Storytelling approaches such as round-robins, bangs and reverse bangs, zines, collaboratively developed and written ‘verses, and other fandom activities are design with collaboration specifically in mind. In this panel, we’ll discuss types of collaborative writing, how we’ve found collaborators to work with, our own collaborative writing experiences and how they’ve gone, successes we’ve had and issues we’ve run into (and how we did, or didn’t, solve them), systems we’ve put in place to keep our collaborative writing projects “on the rails,” and other related topics.

Current backers, we hope you’ll join us, and new folks – become a Patreon backer now and get in on the conversation!


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A graphic on a blue background. Top text reads, Finishing Touches: Last Lines, Titles, Tags, Summaries, and Blurbs. A Duck Prints Press Panel. Saturday, February 7 at 7 p.m. ET. In the middle is clip art of someone running and crossing a finishing line, shooting two thumbs-up. Bottom text reads, join patreon.com/duckprintspress for exclusive access.

Our February Patreon panel, in which we get together and talk, lit-con style, about a topic chosen by our Patrons, will be Saturday, February 7th at 7 p.m. Eastern time. The topic is Finishing Touches: Last Lines, Titles, Tags, Summaries, and Blurbs.

Description: You’ve finished the project! The story is storied, the art is arted, the photo is photoed, the music is musicked, the bulk of the work is done. But no work is truly complete until the finishing touches are in place. These touches are especially important as often they’re a critical part of how we present our completed project to the readers, viewers, fans, and the public in general. In this panel, we’ll be discussing how we put our projects to bed – not with lullabies, but with the perfect opening and ending lines, with titles and summaries and blurbs, with public presentation, with tags and trope shout-outs and more. Join us, and bring your questions and thoughts on wrapping up!

Our panelists this month are MJ Kiwiana, Shea Sullivan, and Vee Sloane!

If you’re already a patron, I hope you’ll join us! If you’re not, become one today!!

Patreon support helps Duck Prints Press keep the lights on; whether we have a terrible month or a great one, as little as $3/month ensures we have a reliable, steady income stream that we can plan around.



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A graphic on a blue background. Top text reads On Being a Neurodiverse Creator, a Duck Prints Press Panel. Sunday, January 11 | 10 a.m. ET. The middle is an image of a brain with arms and legs and a simplified straining face as it lifts a heavy set of weights. Bottom text reads join patreon.com/duckprintspress for exclusive access.

Every month, creators with Duck Prints Press come together to hold a literary convention-style panel on a topic chosen by our Patrons or selected by the panelists themselves. Our January panel? This Saturday, January 11 at 10 a.m. Eastern (converter) we’re having a get-together with five authors – Sebastian Marie, Puck Malamud, Alex Bauer, Tris Lawrence, and Lucy K. R. – about being a neurodiverse creator!

Description: As an umbrella term for a wide range of ways a brain can work, the word “neurodiverse” has become one way of grouping people with conditions ranging from autism and ADHD, to dyslexia and dysgraphia, to bipolar disorder and schizophrenia. For creators, having these conditions can have advantages – such as changing how we see and interact with the world, helping us to unique points of view and frameworks, and supporting our work process – and they can also have disadvantages – such as interfering with ability to focus, causing mood swings that can make creativity tough, and making developing and maintaining creative habits difficult. In this panel, we’ll talk about our own neurodivergence, the ways we find our neurodivergence strengthens us as creators, the challenges that our neurodivergence introduces and how we’ve navigated those challenges, and the value we’ve found in forming communities with other neurodiverse people, touching on the extent to which we find the “neurotypical” and “neurodiverse” frameworks useful and relevant.

If you’re already a Patron, I hope you’ll join us! And if you’re not, become one today at the $7/month level or higher and get access to this panel, recordings of our past panels, and lots of other awesome benefits!



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A simple graphic entitled "Let's Talk 'Death of the Author' a Duck Prints Press panel." Text indicates that the panel is on Saturday, December 6 at 8 p.m. Eastern time. Bottom text reads "join patreon.com/duckprintspress for exclusive access." In the middle is clipart of a simple grave stone, with a quill pen in a bottom of ink on the stone face.

Our December Patreon panel is early in the month this time, coming up on Saturday, December 6th at 8 p.m.! We’ll be talking about Death of the Author by Roland Barthes (you can read it for free on the Internet Archive using this link) and related issues. If you’re a $7/month backer of our Patreon, I hope you’ll join us. And if you’re not yet a backer, I hope you’ll take a minute to check out all the awesome benefits we offer our supporters and help our indie press keep the doors open with your monthly support!

Panel Title: Let’s Talk “Death of the Author”

Description: In 1967, Roland Barthes wrote the essay The Death of the Author, criticizing reliance on authorial intention as the ultimate means of deriving meaning from a work, emphasizing instead the importance of each individual reader’s interpretation. Since then, the field of literary criticism has widely expanded, and now it’s common to see a full spectrum of types of interpretation, from those in which the old style of authorial intention still retains supremacy on the end of the spectrum, to, on the other end, those in which authorial intention is entirely dismissed or ignored in favor of solely elevating reader interpretation. In this panel, we’ll discuss the original essay, our views of the importance of authorial intent, our views on the importance on reader interpretation, where our own views place us on the spectrum, and specific cases of “Death of the Author” that we have personally grappled with.

Content Warning: This panel may include discussions of transphobia, sexual misconduct, or other issues with authors and/or crimes committed by authors, as it is likely that individuals such as J. K. Rowling and Neil Gaiman will factor in to our conversation.

Want to read Barthes’s article before the panel? You can do so! It’s only 8 pages long, and it’s available on archive.org.

Date: Saturday, December 6th
Time: 8 p.m. Eastern time (converter)

Panelists: Rhosyn Goodfellow, callmesalticidae, Zel Howland, Shannon Lippert, May Barros, YF Ollwell, and Vee Sloane

Nina Waters will serve as moderator.

Become a backer today!

Did you know? New backers at the $7/month level get instant access to recordings of over a dozen of our past panels, 16 past Patreon-exclusive digital artworks, and almost 100 short stories, with new works released every month. $10/month and $25/month backers get immediate access to even more!


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While our main November activity has been running the crowdfunding Kickstarter to fund our anthology Monsterotica: Tales of Unusual Courtship and Coupling, that doesn’t mean we’ve neglected our regular short story and art releases direct to backers of our Patreon! Read on to learn about our five new short stories, one new art piece, and the Patreon panel taking place later today!

First – Patreon backers at the $10/month and $25/month levels who also back the crowdfunding campaign for Monsterotica will get a bonus piece of merchandise as our THANK YOU for their exceptional support. For this campaign, we’re offering BACKERS CHOICE! We’ve chosen the art – the monstery toothy dux sticker created by Alessa Riel for the Monsterotica campaign – and backers will get their pick of an acrylic pin with an iridescent holo effect, a key chain with a red rainbow holo effect, or a magnet with a hologram effect!

Back our Patreon at the $10/month or $25/month level AND support our campaign to fund Monsterotica and claim your monstery dux merch bonus!

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New Explicit Imprint Stories:

Can’t Let Go by Dei Walker

modern with magic, f/f, underwater sex, tentacles

Excerpt:
The thrill of risk slides through her, warming her from the inside out. She curls her toes inside her flippers and takes another deep breath of cool, dry canned air.

The soft corals along the wall are pretty enough; one has a porcelain crab tucked into its fronds, and another the tiny shape of a pygmy seahorse, orange-pink with bumps to match its hiding place. There are wonders aplenty; she allows herself to snap a picture of the seahorse, then a second from a slightly different angle, as insurance.

When she lifts her head to continue swimming, the faint glow has moved farther away.

A cloud of bioluminescence moving like that? Her heart rate kicks up, interest piqued. Hope spreads in her chest. Something this unusual might be just what she needs.

Available to $25/month Patreon backers

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We the Hunters by Lyonel Loy

fantasy, m/m, monster x monster, vers characters

Excerpt:

He sees the flash of fiery gold at the far end of the lake, where the water is dark with the shadows of kelp forests. Shimmering fins flicker amidst the swaying fronds, carefree and careless and bold.

What need has a merman for wariness?

King of the lake’s deep waters, sharp-toothed and sharp-clawed and strong. Even the gryphon, with his lion’s strength and eagle’s talons, ought to be wary, but the merman is far too enticing a prize.

Available to $7/month Patreon backers and higher

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New General Imprint Stories:

My (24M) Cousin (23M) Fell in Love with One of Those Forest Mimics (???M?) and I Don’t Know What to Do by Nicola Kapron

modern, m/m, outsider point of view, formatted like a reddit post

Excerpt

r/relationship_advice
u/ThrowawayOutOfTheWoods

You know those scary stories people tell around campfires and on dramatic horror vlogs about mysterious not-quite-human figures that slip into hiking groups and do all sorts of creepy stuff? Yeah. It’s one of those. He’s one of those? It’s hard to tell.

Available to all Patreon backers

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Memory Scars by Adele Gardner

sci fi, established f/f, androids and free will

Excerpt:

Construction. Repair. Rebuild. Each fills me with a creeping dread, something I can’t name because I’m not allowed any words for it.

Each time I wonder: Am I the same person I was before whatever disaster shut me down?

Available to $5/month Patreon backers and higher

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One Moon at a Time by R. L. Houck

modern supernatural setting, found family, lesbian main character, weres and creature shiftersExcerpt:
“Nice night, huh?” Lily leaned back on her palms and slanted her eyes to the side.

“I’ll call it a nice night if we make it to 6 a.m. without you turning wolf and trying to rip out my throat.”

Sagging in place, Lily scrubbed her palms down her thighs. At the end of the pass, she cupped her knees, staring at her abraded knuckles. “Do you think I’ll turn?”

Available to $10/month Patreon backers and higher

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Patreon Reward Art:
Close of up a person's face, showing their nose with a piercing, their mustache, their plush lips, and their goatee. A hand, thick-fingered and with nail polish on the nails, reaches up to clutch their chin and pucker the skin. It's clearly a crop of a larger piece.
 

“Devour” by Aaron Kotze

This is a trim of a larger artwork. Aaron chose not to share the inspiration behind this piece.

Available to $5/month Patreon backers and higher

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and lastly, this month's Patreon panel is later today! The topic...


A simple graphic featuring clipart of a pair of arms breaking the chain on the handcuffs they wear. Text reads: Making Non-Conformist Art Under Authoritarianism. a Duck Prints Press panel. Sunday, November 30 2 p.m. ET. join patreon.com/duckprintspress for exclusive access.

Description: Authoritarian regimes throughout history have sought to eliminate  dissent in part by eliminating non-conformist art, while subverting what  art they permit to be created to serve their dominant narratives. As  much of the world makes a turn toward hard-right fascistic  authoritarianism, many creators grapple with the stress, fear, and  danger of living and creating despite threats to their livelihoods and  very lives. In this panel, we’ll have a candid discussion of how others  have faced these threats in the past and how we are doing so in our  day-to-day lives. We will discuss both the risks and necessity of  continuing to make art by and about people – queer, POC, gender-diverse,  disabled, neurodiverse, etc. – whose voices authoritarian governments  seek to suppress.

Date: Sunday, November 30
Time
: 2 p.m. Eastern time

Become a backer of the Duck Prints Press Patreon! Support indie publishing all year long and get lots of queer stories and art in return!

 

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A simple graphic featuring clipart of a pair of arms breaking the chain on the handcuffs they wear. Text reads: Making Non-Conformist Art Under Authoritarianism. a Duck Prints Press panel. Sunday, November 30 2 p.m. ET. join patreon.com/duckprintspress for exclusive access.

Every month, we hold a convention-style panel during which creators we work with have a guided discussion about a panel either requested by our backers on Patreon or selected by the poll of panelists! This month, we’ll be talking about Making Non-Conformist Art Under Authoritarianism.

Description: Authoritarian regimes throughout history have sought to eliminate dissent in part by eliminating non-conformist art, while subverting what art they permit to be created to serve their dominant narratives. As much of the world makes a turn toward hard-right fascistic authoritarianism, many creators grapple with the stress, fear, and danger of living and creating despite threats to their livelihoods and very lives. In this panel, we’ll have a candid discussion of how others have faced these threats in the past and how we are doing so in our day-to-day lives. We will discuss both the risks and necessity of continuing to make art by and about people – queer, POC, gender-diverse, disabled, neurodiverse, etc. – whose voices authoritarian governments seek to suppress.

Date: Sunday, November 30
Time: 2 p.m. Eastern time

Panelists: J. D. Rivers, Sebastian Marie, Puck Malamud, Rascal Hartley, Lucy K. R., and Shannon Lippert. Nina Waters will serve as moderator.

Did you know? Backers of our Patreon at the $7/month level not only can attend new panels, they can also view recordings of 14 past panels we’ve hosted on topics ranging from “What the Heck Even is Genre” to “Bullying and Harrassment in Fandom.”

Become a backer today and join the conversation!


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A graphic on a pale blue background. Header text reads Writing Tools and Techniques a duck prints press panel Sunday October 5 9 a.m. ET. In the middle is clipart of a computer monitor and a jar with a brush, marker, pen, and ruler. Bottom text reads join patreon.com/duckprintspress for exclusive access.

Hot on the heels of our September panel, which was during the last weekend of the month last month, our October Patreon panel Writing Tools and Techniques is during the first weekend of October!

Topic: Writing Tools and Techniques

Description: Let’s meet together on the first Sunday of October to have a chat about our favorite writing tools and how we use them! This month’s panelists will talk about different tools they’ve used for word processing, editing, researching, outlining, progress tracking, world building, and more. We’ll weigh the pros and cons of our experiences, what we’ve kept using and what we’ve ditched, what we’ve liked and what we haven’t liked, and how we’ve changed our techniques to maximize the utility of the different tools we’ve used. If you’ve got favorite tools, we hope you’ll attend as well and tell us about them!

Date: Sunday October 5th

Time: 9 a.m. Eastern (converter)

Panelists: Dei Walker, J. D. Rivers, Alex Bauer, and Max Jason Peterson

Moderator: Nina Waters

If you’re already a backer of our Patreon, I hope you’ll join us, and if not, there’s still time to become one!

Backers at the $7/month, $10/month, and $25/month levels get exclusive access to our panels, including recordings of all the past panels – supporters can access those any time!



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A graphic entitled Navigating Author-Editor Relationships a Duck Prints Press panel Sunday September 28 9 a.m. ET. Below this is an image of two hands together in a companionable handshake. Bottom text reads join patreon.com/duckprintspress for exclusive access.

Because we’re doing our Patreon drive this September (details here!), offering a freebie worth up to $5 for all new Patreon backers, we’ve talked a lot about the different backer rewards we offer. Here’s another: every month, backers at the $7/month, $10/month, and $25/month levels can attend and/or watch an after-the-fact recording of a literary-convention-style panel! The September panel, Navigating Author-Editor Relationships, is TOMORROW, September 28th, at 9 a.m. Eastern time (converter). Meetings are held on Zoom, with recordings usually available within 24 hours. People unable to attend are encouraged to submit questions for us to answer.

September Panel Topic: Navigating Author-Editor Relationships

Description: Whether you’re writing fanfiction for fun, essays for school, projects aimed at publication, copy for a work project, or something else, odds are that, sooner or later, you’ll have to work with an editor, beta, or someone else who has been brought in specifically to suggest places you might want to change your writing. Working with an editor can be challenging, especially if one isn’t used to critique. On the flip side, being an editor working with an author requires, on top of possessing the necessary knowledge of spelling, punctuation, and grammar, that the editor learn interpersonal skills to help them work effectively with the author(s) they are providing editing support for. In this panel, we will discuss how to navigate relationships between authors and editors from both points of view, including: what discussions authors and editors should engage in before editing begins, reaching compromises over differences of opinions, when to fight and when to let it go, the importance of a balance between authorial voice and proper SPAG, and more!

Panelists: Alex Bauer, E. Conway, Max Jason Peterson, and Rachael L. Young

Moderator: Nina Waters

New Patron backers $7/month and higher also get immediate access to the recordings of all past panels – 12 panels total. Become a backer today and get in on the conversation!




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you can see a version of this post with loads o' images here.

Every month, we release five short stories, an art piece, and conduct a convention-style panel for our backers on Patreon. What backers have access to depends on their backer level, with $3/month backers only getting access to a single story and $25/month backers getting access to everything, with our intermediate levels – $5/month, $7/month, and $10/month – getting intermediate amounts. These releases are in addition to behind-the-scenes access, voting rights on anthology themes, exclusive coupons, extra merch, and the many other benefits we offer our supports on Patreon. Read on to learn about what we released on Patreon in August 2025!

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Aurora by æonswinter

Access to viewing the full artwork available to backers at the $5/month and $7/month levels; access to print-suitable download available to backers at the $10/month and $25/month levels.

æonswinter had this to say about the inspiration for this piece: “The figures in this painting are doing doubles hammock. For this trick, the two aerialists run in a circle on the ground before inverting into the air, reaching out towards each other. The painting captures the moment before their hands meet—the moment before contact, before connection. The base color of each figure and each hammock was sampled from the colors of the trans flag. The shadows and highlights on the blue figure and fabric were done in variations of that pink, and the shadows and highlights on the pink figure and fabric were done in variations of that blue.”

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Nycticorax by S. J. Ralston

Available to backers at the $7/month level and higher.
Genre: Tragic Science Fiction with Super Powers
Rating: General Audiences
Length: 28 pages/9,925 words

Excerpt: Nycticorax turned to the control panel at his right hand and punched in the coordinates: the southeastern shore of Lake Huron, July 23rd, 1834 CE. He checked his safety measures, pointed to each status light to confirm its greenness, and ensured the Third Law Allocation was set to DISTRIBUTED. With a deep breath, he put his thumb over the button labelled ACTIVATE.

He hesitated.

There was an extremely slight but also extremely real possibility that pressing that button would instantaneously kill 2.8 million people—Nycticorax among them.

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Like it Sharp by E. V. Dean

Available to all Patreon backers.
Genre: Modern
Rating: Explicit
Length: 25 pages/9,979 words

Excerpt: Green and purple lights dance on the stainless steel of her knife, her grip agile, motions swift, like she was born with it in her palm. The chop-chop-chop against the wooden board cuts through the muted thumping of Avicii from the living room. She’s not quite the Iron Chef, but the blade’s her best friend.

Kathy can’t take her eyes off it. The rest of the kitchen is spinning around her, and she’s found her anchor. The skilled arm is attached to the woman Kathy’s been swooning over the whole evening from afar, like a school girl with a crush.

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Starstruck, Adrift by Cedar D. McCafferty-Svec

Available to backers at the $25/month level.
Genre: Science Fiction
Rating: General Audiences
Length: 19 pages/6,913 words

Excerpt: Penny had seen a lot of things in her time aboard the UNS Bridget. She’d seen her fair share of alien worlds and new ways to travel during her fourteen years of service. This, however, was not something she had previously encountered.

“This” being the large mechanical dragon hovering outside the windows at the bow of the ship. And when she said “mechanical,” she meant completely sentient, made of metal, stuff-she’d-seen-in-comics-and-movies mechanical. Not an animatronic. Not a puppet. Fully realized robotic life.

Flying outside the spaceship. In space.

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August Patreon Panel: How to Work Worldbuilding Into the Narrative

The recording of this panel is available to backers at the $7/month level and higher.

Description: No matter what genre you write, world building is essential for setting the scene, helping readers understand the when and where and why of the story, and framing the narrative. Some stories require a lot of worldbuilding, others very little, but no matter how much is necessary to help the readers navigate the characters’ surroundings, figuring out how to work that worldbuilding into the story is a perpetual concern. This panel, we discuss effective and ineffective ways of integrating the worldbuilding into stories, how approaches may vary depending on the length of the story and the genre, standard worldbuilding advice such as “show don’t tell” and “don’t infodump!”, and examples of stories we’ve read where we thought the worldbuilding was especially well or especially poorly integrated with the narrative.

Panelists: Nina Waters, Vee Sloane, Dei Walker, and Zel Howland

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Whispers Through the Leaves by Johnathan Stern

Available to backers at the $10/month level and higher.
Genre: Horror
Rating: General Audience
Length: 8 pages/2,394 words

Excerpt: The pressure had dropped.

Gray clouds were gathering in the sky to the west, and the faint breeze that whistled through the windows of your car was picking up speed.

A storm was coming, of that you were almost certain.

It never hurt to check, though, and so you reached over to the center console to turn on your radio. Far from home as you were, your presets would assuredly be useless, and sure enough, pressing the first one tuned into nothing but the scratch of static. Playing with the dial, you scrolled through perhaps a dozen stations and frequencies before you found the first live human voice. 

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Business is Blooming by Genevieve Maxwell

Available to backers at the $5/month level and higher.
Genre: Fluffy Modern Romance
Rating: General Audiences
Length: 12 pages/3,740 words

Excerpt: “What in the world?” Hester’s voice trailed off as she approached her doorstep, frowning at the potted plant sitting on the doormat. Hester wasn’t much of a plant person. Or a keeping-things-alive-besides-herself person. The plant had flowers, which at least were pretty. Did someone send her flowers? But why a living plant instead of a bouquet? Why leave it at all instead of giving it to her directly?

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Not a backer? Looking for even more stories, artwork, and more? We’re also thrilled to share that now, all Patreon-exclusive works now become available, six months after they were originally posted, in our Patreon shop. If there’s an author you love, a work you missed, a type of story you’re on the hunt for – come take a look. There are 65 works in the shop, and we add more every month!



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A simple graphic entitled "How to Work Worldbuilding into the Narrative: A Duck Prints Press panel." The date is listed as Sunday August 3 7 p.m. ET. In the middle of the graphic is clip art of a simple map featuring several islands, one marked "dragon's lair" with an arrow. Bottom text reads "join patreon.com/duckprintspress for exclusive access."

Our July panel was during the last weekend of July, and now hot on the heels of that, our August panel for Patreon backers at the $7/month, $10/month, and $25/month level is during the first weekend of August!

Become a Duck Prints Press patron and join us this Sunday, August 3rd, at 7 p.m. Eastern time (converter) as our panel of creators discuss strategies and approaches for integrating worldbuilding into our stories!

Panel Description: No matter what genre you write, world building is essential for setting the scene, helping readers understand the when and where and why of the story, and framing the narrative. Some stories require a lot of worldbuilding, others very little, but no matter how much is necessary to help the readers navigate the characters’ surroundings, figuring out how to work that worldbuilding into the story is a perpetual concern. This panel, we discuss effective and ineffective ways of integrating the worldbuilding into stories, how approaches may vary depending on the length of the story and the genre, standard worldbuilding advice such as “show don’t tell” and “don’t infodump!”, and examples of stories we’ve read where we thought the worldbuilding was especially well or especially poorly integrated with the narrative.

Panelists: Nina Waters, Vee Sloane, Dei Walker, and Zel Howland



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A graphic on a simple pale blue background. It's entitled "The Care and Feeding of Creators: A Duck Prints Press Panel" and listed as being on Saturday July 26th at 5 p.m. ET. In the middle is a picture of a board with a mug of coffee, cookies, and a croissant. Bottom text reads, join patreon.com/duckprintspress for exclusive access.

Duck Prints Press is back with another of our convention-style panels. This month, we’ll be spending an hour talking about The Care and Feeding of Creators. Ask a creator why they create, and most will answer with some variation of “I can’t not create.” However, creating is labor intensive and mentally taxing, and often leaves us exhausted and drained. Creatives engaging in self-care behaviors is therefore essential, yet many of us struggle to be kind to ourselves, celebrate our successes, and forgive ourselves our failures. In this panel, we will discuss our own struggles with showing kindness to ourselves, how we motivate ourselves, how we nourish and encourage our creativity, how we celebrate our accomplishments, how we avoid burnout and deal with falling into creative slumps, and will perhaps touch on our views of “the tortured artist” as a persistent description of creators.

Panelists: Alex Bauer, Shea Sullivan, Rachael L. Young, and Dei Walker. Nina Waters will serve as moderator.

Date: Saturday, July 26th
Time: 5 p.m. Eastern (converter)

This panel is available live to all our Patreon backers at the $7/month level and higher. Backers can also view recordings of our past panels. Become a backer of the Duck Prints Press Patreon today!



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A graphic on a pale blue background. Text reads: Relationships Beyond Romance a Duck Prints Press Panel. Saturday May 24 6 p.m. ET. join patreon.com/duckprintspress for exclusive access. In the middle is artwork of two hands locked in a pinky pledge; one has peach-tan skin, the other dark brown. The hands make an almost-heart.

We’re only a few days from our May Patreon panel. Relationships Beyond Romance will be at 6 p.m. Eastern time (converter) on May 24th – a 1-hour, convention-style panel held via zoom for backers who support our Patreon at the $7/month, $10/month, and $25/month levels.

Description: Romance is fun to watch and read, but while it’s far from the only relationship dynamic possible between people, all too often, romance is emphasized and placed on a pedestal compared to relationships with friends, family, peers, colleagues, and others. This panel, we take time out to place the emphasis squarely on the platonic, to examine why we value relationships that aren’t romantic and why we think they’re important to feature in books, TV, movies, and other media. Topics include: what do we mean by romance, and what do we mean by non-romantic relationships; what dynamics attract us and why; what are some of our favorite stories that focus on platonic relationships; how can we diversify our media consumption and creation; and a discussion of why we think all this matters.

Panelists: Rhosyn Goodfellow, Vee Sloane, May Barros, and E. Conway

Nina Waters will serve as moderator.

Already a Patreon backer? I hope you’ll join us! Not a backer yet? There’s no time like the present to become one!



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A graphic on a pale blue background. Text reads: Why do we find joy in fandom and fan creations? a Duck Prints Press Panel. Saturday, April 26 8 p.m. ET. join patreon.com/duckprintspress for exclusive access. In the middle of the graphic is a group of people sitting around a table, shown from the top down, all coloring art together.

Every month, we host a panel for our Patrons, featuring a group of Duck Prints Press creators joining together to discuss the topic of the month. The April panel will be this Saturday, April 26th, at 8 p.m. Eastern time (converter), and the topic is Why Do We Find Joy in Fandom and Fan Creations?

Description: That fandom is a source of community and comfort for fans is a given; if we didn’t enjoy being in fandom, why would we participate? But recognizing that we do find joy in fandom isn’t the same as considering why we find this joy. In this panel, several members of Duck Prints Press will discuss what brought them to fandom, what keeps them in fandom, and examine the whys and wherefores of being fandom members and fan creators. Topics will include: why did we join fandom in the first place; what drew us to begin creating fanworks; what sparks that certain “something” that makes one fandom “the one” rather than another; what we do when the passion wanes; and why we have stayed in fandom long-term.

Panelists: Dei Walker, Tris Lawrence, May Barros, Shea Sullivan, Alex Bauer, and callmesalticidae

Nina Waters will serve as a moderator.

All Patreon backers at the $7/month, $10/month, and $25/month level have access to the panels as they run and as recordings afterward. Become a backer TODAY to join us this Saturday!

Curious about the panels but don’t want to become a monthly backer? Six months after our panels broadcast, the recordings go up for sale in our Patreon store! There’s currently only one listing, but we encourage you to check it out: Queer Representation in Media Then and Now is available for purchase by non-backers and backers at the $3/month and $5/month levels!


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A simple graphic on a pale blue background, entitled "What the Heck Even Is Genre? A Duck Prints Press Panel." The date is given, Sunday March 9 3 p.m. ET. Below this is clipart of stylized, brightly colored comedy/tragedy masks, and bottom rext reads "join patreon.com/duckprintspress for exclusive access.

The March Patreon panel, What the Heck Even Is Genre?, is early in the month for a change! We’ll be hosting this panel this coming Sunday, March 9th, at 3 p.m., for our Patreon backers at the $7/month, $10/month, and $25/month levels! If you’re a backer, I hope you’ll consider joining us, and if you’re not, it’s always a good time to become one – you’ll get access to our backer blog, our Press Discord, anywhere from 50 to 100+ short stories depending on your backer level (and more every month!), original artwork, recordings of past panels, and more!

Panel Title: What the Heck Even Is Genre?

Description: Throughout the publishing industry, genre is a defining feature of each and every book released. On their faces, the categories sound straight forward: science fiction, fantasy, romance, self-help, humor, on and on. But a cursory inspection shows how nebulous these ideas really are, and also shows how their application in publishing doesn’t necessarily map to include all the contents implied by the title: not all stories about the future are science fiction, for example, and not all romance books are in the romance genre, and genres like “literary fiction” encompass books from many other genres, and new cross-genre designations such as romantasy keep being coined. All of this leads to an obvious question: what the hell even is genre? And that is what we’ll be discussing in this panel!

Topics include: genre as used in traditional publishing; cross-genre works; how we decide what to call the “primary” genre of a work; breaking genre boundaries effectively; and in the end, we’ll discuss if, with all it’s flaws, genre remains a relevant concept for authors and book publishing.

Date: Sunday, March 9th

Time: 3 p.m. Eastern time (converter: https://www.timeanddate.com/worldclock/converter.html)

Panelists: Tris Lawrence, Sage Mooreland, Vee Sloane, and J. D. Rivers. Nina Waters will primarily moderate but because it’s a small group, may contribute as well.

Come join us!



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A graphic on a blue background entitled "Time Management/Project Management for Writers: A Duck Prints Press Panel." Further text reads Saturday, February 22 2 p.m. ET, and join patreon.com/duckprintspress.com for exclusive access. There's also clip art of a person sitting, cross-legged, before a to-do checklist and a clock.
Tomorrow, we’re hosting the February Zoom panel for our $7/month, $10/month, and $25/month backers on Patreon! Our topic is time management and project management. What’s that mean? Well…

In our busy lives, managing our time has become an essential skill. For writers, who frequently have a day job atop writing as well as other daily responsibilities, figuring out how to manage our time to write and how to pace our projects in a way that’ll give us a hope of success can be doubly difficult. For this panel, we’ve gathered a group of people who have figured out time management and project management techniques that work for them, and have experimented with techniques that didn’t work for them, to discuss their successes and failures. We’ll explore a range of options, while recognize that there’s no One Right Way nor one-size-fits-all solution to managing our writing projects. Who knows, maybe you’ll learn a technique that’ll work for you! Discussion topics will include: how we manage our time to create space to write; how we manage entire projects to ensure we are able to see things through to completion; strategies we’ve tried that haven’t worked for us; different approaches we’ve applied to different types of projects; and more!

The panelists for this month are Rhosyn Goodfellow, J. D. Rivers, Alex Bauer, Max Jason Peterson, boneturtle, and Shea Sullivan, and I (unforth/Nina Waters) will be acting as moderator.

Interested? Join us Saturday February 22nd at 2 p.m. Eastern time (converter). Become a Patron today!


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Graphic on a blue background. The title is "Sustainable Creator Engagement: A Duck Prints Press Panel." Below this, text reads "Saturday December 14th 7 p.m. ET." In the center of the graphic is clip art of a stressed-looking person typing on a laptop. There are flames coming out of the top of the laptop. Text at the bottom reads "join patreon.com/duckprintspress for exclusive access."

The Duck Prints Press December Patreon panel is Sustainable Creation and Engagement for Creators. What does that mean? Well…

The expectations from many people who engage with created works like art and fiction are that creators can work 24/7 and always be “on.” This is far from reality, however, and creators who push that hard and work that continually tend to burn out. Our creators this month are gathering to talk about how to engage in sustainable creation practices while also managing sustainable fandom engagement, both for interacting with people interested in the creator’s creations and for participation in fandom in general. In this panel, we’ll discuss what burnout is and how it feels, practices we’ve engaged in that have helped us not burn out, times we’ve burnt out and how we’ve recovered, participating in fandom as a creator in an empowering and supportive way, and more.

The participants in this month’s panel are: Rhosyn Goodfellow, Alex Bauer, Max Jason Peterson, Dei Walker, Shea Sullivan, and Nina Waters.

Interested in joining us for this discussion? Our patron-exclusive panels are held monthly for backers at the $7/month, $10/month, and $25/month backer levels. Supporters also have access to recordings of our past panels.

This panel will be held live via Zoom on Saturday, December 14th, at 7 p.m. Eastern time (converter)

Be part of the conversation!

Patrons can also download and read from to anywhere from 50 to 100+ short stories depending on backer level, behind-the-scenes access to Duck Prints Press goings-on, a vote in our future anthology topics – including a poll going on RIGHT NOW to decide our next Queer Fanworks Inspired By… inspiration, and much much more!



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A graphic on a pale blue background. It's entitled "Planning vs. Pantsing: A Duck Prints Press Panel." Below that the date is given, Saturday November 16th at 4 p.m. ET." In the middle are two clipart graphics, one of a clipboard with a checklist,, the other of a pair of pants. At the bottom, text reads "join patreon.com/duckprintspress for exlusive access."

Our November Duck Prints Press contributor’s panel for our Patreon backers is coming up this Saturday, November 16, at 4 p.m. Eastern (time zone convertor).

Title: Planning vs. Pantsing

Description: In writing circles, it’s common to discuss our personal approaches to preparing to write a long story along a spectrum from “planning,” in which the author plans extensively and in detail before beginning to write, to “pantsing,” where the author does no planning and just begins to write – “flying by the seat of their pants” as it were. However, in practice, individual authors rarely fall completely into one or the other of these categories (and so many authors feel themselves in the middle that the term “plantsing” has arisen for people who do some of each). In this panel, we’ve gathered Duck Prints Press authors from across the planning to pantsing spectrum to discuss how planning and pantsing are different and how they’re similar, when we as writers plan and when we pants, strategies for successfully planning a story and successfully pantsing a story, which methods we’ve tried and how they’ve worked for us, and more!

Panelists: Rhosyn Goodfellow, Zel Howland, Vee Sloane, Tris Lawrence, J. D. Rivers, and Alex Bauer

Moderator: Nina Waters

Date: Saturday, November 16th

Time: 4 p.m. Eastern (time zone converter)

Our panels are held via zoom and all people who back our Patreon at the $7/month, $10/month, and $25/month levels are invited to attend! For those not able to make the scheduled time, recordings are also available afterwards for those at the $10/month and $25/month level.

Join the conversation – back the Duck Prints Press Patreon today!



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duckprintspress.com/2024/11/09/october-releases-from-duck-prints-press/

A little behind on posting this overview cause, well, gestures vaguely at the last week. I think y’all understand.

In October, we officially published our most recent anthology, Many Hands: An Anthology of Polyamorous Erotica and what leftover merchandise we have from the crowdfunding campaign. We also released an awesome nine stories to our Patreon, hosted a panel on Why Tell Stories? (the recording available to some Patreon backers!), and released a new exclusive artwork as well. Read on to learn all about everything.

Indeed, we did so much in October that putting it all in a Dreamwidth post just isn't going to work, so instead - here, have an overview, and for all the deets, visit our blog post on duckprintspress.com!


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Many Hands: An Anthology of Polyamorous Erotica

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General Imprint Short Story Releases

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Explicit Imprint Short Story Releases

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Original Art Releases

A crop of a larger piece of artwork. It shows a dainty hand reaching toward water, where the reflection emerges from the water as a larger hand clad in armor.

Jagoda had this to say about the inspiration behind this piece: Instead focusing on relationships, i wanted to play around “self-reflection”. So i came up with a idea of trans character seeing their “ideal” self in a water reflection, here a medieval setting, so ideal is a knight.

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October Patron Panel

Why Tell Stories?

Description: We love to tell stories, and we feel the desire, and sometimes need, to tell them and share them. That much is a given, but it begs the question: why do we feel that way? There are surely as many answers to this as there are people, but when we enter into discussion with our fellow storytellers, some common threads emerge. Discussing our reasons, those that we share and those in which we differ, is the purpose of this panel. Some of the topics we will discuss in this panel are: what has drawn each of us to tell stories, how do we decide which stories to tell, who do we tell these stories to, how do we decide how to tell these stories (such as what storytelling formats to use, how to approach narrative framing, etc.), what we consider a “successful” story, and, in the end, we’ll aim for a synthesis conversation to answer the original question: why tell stories?

Panelists: May , Sage Mooreland, boneturtle, Alex Bauer, Sebastian Marie, and Rhosyn Goodfellow

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Alternating Thursdays, we release new short stories to our Patreon! More than 40 stories are available to ALL backers from the moment they back, with more at every level to a total of more than 100 for our highest-level backers. Backers also get access to our Discord server, coupons to use in our webstore, exclusive extras for backing crowdfunding campaign, opportunities to vote for our anthology themes and request short story topics, access to contribute to our blog posts, and much, much more.

Want to get information like this right into your e-mail? Sign up for our newsletter!

(yes, the post is this long even WITHOUT everything else)


 

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